Monday, April 28, 2008

How Young is Too Young? When to start music lessons for your child.

This issue of when to start music lessons is highly debated amongst music teachers.  Different teachers recommend different ages for starting lessons.  My recommendation:  within reason, start as early as possible.  Music is a language.  The earlier you begin exposure to the language of music, the more potential you will have for your life.  I teach music to preschoolers on a weekly basis and I find that I can teach any young preschooler to sing in tune and in rhythm within months.  However, to teach a teenager or an adult to sing in tune that has not learned can be a process of years.   I often times think that "talent" in musical subjects is not a matter of talent at all, but a matter of early exposure.  For instance, a child that is exposed to two languages early in life will speak them with ease, and it is the same with music.  Children that have exposure to music at an early age have an expanded capacity to sing and play for the rest of their life.  
A fact that amazes me:  I can teach any child with normal learning capacity to sing a middle C on cue, as if they have perfect pitch!  I have been teaching music for years, and I cannot do this as accurately as a preschooler that I have worked with for a month!  A young child's developing brain has the capacity to process the information, and remember pitch unlike an adult's brain.  

The downside:  Music lessons with young children can sometimes seem like a waste of time, what is really happening?  Am I paying for an expensive sing-a-long?  The thing is, more is happening than you think.  Children are processing more than they show.  Also, a child that enjoys singing benefits from watching a singer that sings correctly.  Children mimic adults in their life and if they only listen to music and hear adults sing incorrectly, they will develop bad singing habits as well.  (Many popular singers that children listen to don't help this situation, unfortunately.)  Children benefit most from piano lessons at a young age.   Piano lessons will allow them to move into playing any instrument and singing with a greater sense of pitch and rhythm.  

What if it is too much of a financial commitment, especially when my four year old has a temper tantrum and wastes the whole lesson?  
Involve your child in music classes, and expose them to different types of music.  Get them a little keyboard and have them play and match the pitch of the keys.  Have them clap to the rhythm, and hear music from different cultures.  It will add to their sensory environment that expands their young mind.  Also, remember that a preschooler can learn in a month of lessons what some teenagers take a year to learn (matching pitch, timing, correct technique.) So, it may not be a waste of time at all.  With my students, I keep the lesson moving quickly so that a four or five year old stays interested and can keep learning.  I don't have my students necessarily sit still the whole time.   Find a teacher that specializes in teaching young children.  I combine singing, piano, clapping rhythms, pitch exercises, etc.  I teach all of these things within a half hour to keep it moving and keep the child interested.  

Final Word:  No one has to be tone deaf.  People who are tone deaf were not exposed to music training as young children.  Every child of normal learning capacity can learn to sing proficiently.  

The cutoff ages?  I don't have any scientific backing for this, but I find that students who study music prior to five or six years of age open up their mind for amazing potential.  Prior to ten or eleven,  any child can match pitch, and hold pitch with consistent piano and singing lessons and practice.  Once a child has passed puberty, if they cannot match or hold pitch, it may take a year to gain proficiency, or more, depending on the child.   It may take an adult or mature teen years to match or hold pitch correctly if they did not learn as a child.

I love Music Together CD's, Putumayo also has some great ethnic music for children to expand their mind.  

If you can't do much, just do the basics, sing, play melodies on a little instrument, listen to different types of music.  Anything is better than nothing!

Auditions 101:

Wondering how to nail an audition?  The most important thing is choosing the best song for you.  It should be a song that shows off the best part of your voice and shows off your range.  The tone of the piece is also important.  It should reflect who you are and your strengths.   Are you funny, or dramatic?  Secondly, the piece should be something that you might actually perform, where you fit the part.  If you don't fit the look or the age of the person who is singing in the original context, it might not be the best choice.  The auditioner wants to envision you in the part, and if that is far-fetched, you are putting a strike against yourself. (If you are a scrawny white guy, don't go for Old Man River.)  Lastly, totally go for it!  Don't hold back, be as animated, dramatic, or comedic as you can.  You usually have less than 60 seconds to sell yourself at an audition, so don't hold back!   Also, pick something that no one else will perform, when in doubt, if it seems common to you, it probably is totally overdone to someone who listens to song auditions all day.  Pick something different.   As a general rule - choose something that reflects the time period of the show you are trying out for.  If the musical is contemporary, pick something contemporary, if it is Gershwin, go with a jazz standard, etc.  For children, do a piece that is age appropriate.   Don't do songs with mature themes!  This is a pet peeve of directors.  
Finally, if the auditioner asks you to do something different (can you play it angry, sad, etc.) prove to them that you can follow direction.  A director wants to know how teachable you are, show them you can deliver what they are asking for.

Good questions to ask before you audition:
1.  Will there be an accompanist and should I bring sheet music, or do I need to bring a CD with an accompaniment track?
2.  How long will I have to sing?
3.  Do I need to bring a monologue or be dressed for a dance audition?